Success message
Error message
The Overture takes six great classic and modern overdrive tones and puts them all into one fully programmable pedal Create up to 8 presets with your favorite settings and recall them with the press of a button.
9VDC power supply required, but not included. Power supply needs to have 150mA current capacity or more, BOSS-style barrel connector with center negative polarity.
$349.00
The Overture takes six great classic and modern overdrive tones and puts them all into one pedal. Create up to 8 presets with your favorite settings and recall them with the press of a button.
You get six overdrive modes, four based on classic pedals and two that are brand new. An additional pre-boost circuit can also be switched in to boost the input of any of the overdrive modes, with up to 12dB of additional gain.
High quality components are used throughout the Overture, and the incoming 9 volt power supply is boosted internally to 18 volts for the best performance from the circuit. This makes the Overture very dynamic and “big” sounding.
If you use MIDI, you can get even more from the Overture. You can access up to 100 presets and use an external controller to adjust parameters on the fly. There is special support for MIDI controllers with expression pedals – you can easily set up knob settings for the “heel down” and “toe down” positions of the pedal and the Overture will smoothly transition between those settings as you move the pedal.
SPECIFICATIONS ARE BELOW THE PHOTO GALLERY
100% analog signal path
Clean Boost
Classic
Boutique
Versatile
Smooth
Crunch
Pre - boost circuit with up to 12db available boost
8 user programmable / pedal accessible presets arranged in two banks of 4
Each preset stores the position of all knobs and overdrive mode
100 presets available when used with a MIDI controller
Each preset stores the position of all knobs and overdrive mode
Comprehensive MIDI capabilities
5 - pin MIDI In and Output Jacks
USB - C connector for direct connection to computer
The Overture has it's own software application
3 year limited warranty
Pre - boost circuit can be added to provide up to 12db of boost in front of the overdrive circuit
8 presets accessible from the pedal
4 presets in each of the two banks
100 presets are available when using a MIDI controller
4 presets in each of the two banks
Responds to both MIDI PC and CC messages
1/4" mono unbalanced audio inputs and outputs
5 - pin MIDI input and output which is bidirectional when used with compatible equipment
USB - C connector for connection to phone, tablet, or computer. Appears as a standard MIDI device in MIDI enabled apps
9VDC power supply capable of providing 150mA or more current
BOSS - type power connector, 5.5mm/2.1mm barrel connector, center negative
INCHES: 4.4 (w) x 5.25 (d) x 2.4 (h)
METRIC (cm): 11.1 (w) x 13.3 (d) x 6.1 (h)
1.1lbs / 0.5kg
Made in the U.S.A.
The Overture has six overdrive modes
This mode, an RJM original, offers boost up to a light overdrive. It has the highest maximum output level of all of the modes, and is excellent at pushing an amp into overdrive. Both Bass and Treble controls are active in this mode.
A tribute to what is arguably the most popular overdrive ever made. It can be smooth or a little aggressive, with a prominent midrange emphasis. This mode has the lowest output level of all the modes, but it’s still plenty for almost any purpose. The Bass control isn’t active in this mode.
Based on the a boutique version of the classic. This mode is much less compressed and has somewhat less midrange focus. It has a “leaner” and more open sound. The Bass control isn’t active in this mode.
Based on another, more extensive modification of the classic circuit, this one has a flatter frequency response compared to the other modes and offers a wider range of tones than the previous two modes thanks to the Bass control.
This mode combines fairly high headroom with a special MOSFET clipping circuit that produces a more saturated sound, similar to some cascaded gain amps. The Bass control operates differently in this mode, adjusting both bass and treble at the same time and changing the overall voice of the overdrive.
The last mode, another RJM original, adds some hard clipping and more aggressive midrange, allowing it to get into harder rock territory. Both Treble and Bass controls are active in this mode.
Feel free to be as specific as you like in your inquiry, or you can wait until we respond.